Para acabar com o julgamento de deus is an adaptation of the radio poem by Antonin Artaud to the stage. The poet addresses the duality that exists between technological progress and our relationship with our bodies. This duality still remains at the heart of our western societies. On the strength of american progress, the poet invokes in his verses the magical strength of the Tarahumaras. A composer and two actresses propose to recreate live the body without organs dreamed of by Artaud, enhancing the sound dimension of the work. The research is to try to get out the concept of the body as we know it and propose to the audience a sensory experience in an original composition.
CREDITS
Creation and Interpretation: Catarina Rôlo Salgueiro, Jenna Thiam and Surma
Translation: Catarina Rôlo Salgueiro and Jenna Thiam
Original Music: Surma
Scenography: Bruno Bogarim
Production and Communication: Leonardo Garibaldi
CATARINA RÔLO SALGUEIRO
Lisbon, 1991. She has a degree in Theater, from the Escola Superior de Teatro e Cinema and co-creator of Os Possessos. As an actress, she has worked with Maria João Luís, Maria Duarte, Ricardo Neves-Neves, Teresa Coutinho, and others. With Os Possessos, she participated, among others, in Marcha invincível, O Novo Mundo and A Nossa Cidade and co-created A Bolha. She worked as stage assistant to Ricardo Neves-Neves and Tiago Rodrigues. In cinema she worked with Pedro Cabeleira and Tiago Guedes.
