VITAL_Solo à morte de um carregador — Marta Jardim
Completely immersed in her virtual life, a woman experiences the drama of her cell phone charger failing, thus unable to connect her with her world. Alone, closed in her bubble, and between her hints of madness, she rebels for the lack of the only link that sustains, feeds and nourishes her. She reflects on her broken charger, her biggest confidant, her scapegoat and the path of her “emotional load”, and continues to squeeze continuums of herself, even without feedback from the outside, without connection to the web, living another type of life. of pretense. How far will she be able to stand in a life that is not palpable with her absence? What to do without the illusion of the virtual spotlight turned towards her? Will she have to put up with herself and put up with the “reality” she has created that she doesn’t know? Rediscovering herself in the material and concrete, gaining awareness of herself, something she has long lost, entangled in multiple layers that she has built of herself, not quite frank with her truth.
About Marta Jardim
Marta Reis Jardim (1995) is a creator and performer in the field of performing arts in multidisciplinary projects, contemporary dance, theater and music projects. She also works as an actress and dancer for Cinema. She has developed multidisciplinary authorial work taking contemporary dance as a starting point. Of her creations, TravessiaS stands out, which premiered in the small auditorium CCB Dez20, ALUCINAÇÃO26 co-creation with Alice Duarte, premiered at Festival Bairro in Festa20 and Travessia_Trajetória2 created for Festival Interferes19.
As an interpreter in the field of dance and multidisciplinary projects, she highlights having worked with Madalena Vitorino, Filipa Francisco, Marina Nabais and Bruno Cochat, Olga Roriz and Jérôme Bel. In theater and cinema she worked with Júlia Buisel, Francisco Manso, Rui Simões, Ricardo Cabaça and Fátima Reis.
She is currently creating and producing VITAL_Solo to the Death of a Charger her new stage work. She attends the Masters in Choreographic Creation and Professional Practices at ESD and the Theater Lessons with Pedro GIl.
